Monthly Archives: February 2010

A Review of Percy Jackson and the Olympians: The Lightning Thief

So, Greek theology was the correct theology.  For the past, oh, 3,000 years or so, the human race has been guessing incorrectly.  Not only that, but the Gods of Greek Mythology have been frequently visiting Earth, breaking the laws of … Continue reading

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A Review of Shutter Island

I believe that Scorsese is trying to make a trilogy, combining his new favorite city (Boston) with his old love of Hollywood’s Golden Age.  The Departed was a salute to Hayes code era gangster films, in which evil is punished … Continue reading

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A Review of Strange Days

“Gas is over three bucks a gallon, the economy sucks, fifth grade kids are shooting each other at recess.” This is a quote early in the film about how one character is not looking forward to the new year.  The … Continue reading

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A Corner Critic Special-A Review of We Are the World 25 for Haiti

Should I really be reviewing this?  No matter what the quality of the product is like, the participants’ hearts are in the right place.  Who is going to complain about celebrity egos being shown the door in favor of altruism … Continue reading

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A Review of The Wolfman

“It is said to be a sin to kill a man, but not a beast.  Yet where does one end and the other begin?” This is the final line of The Wolfman. I thought it was a good question.  Too … Continue reading

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A Review of Fido

A new technique that I will like to introduce.  Sometimes, films do deserve to be responded to. But they may be, for whatever reasons, not deserving of a full review.  Maybe it is because they are ultimately one trick ponies … Continue reading

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Super Bowl Special-The Corner Critic Reviews Half time Shows

UPDATE 2011: I used to look forward with eagerness at the Super Bowl Half Time Show. Janet Jackson, for a while, was the best thing to happen to them; it forced the NFL to actually pick great artists to perform, … Continue reading

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A Double Bill-A Review of Blood for Dracula/Flesh for Frankenstein

These two films are often placed on a double bill together, and frankly share so many themes, actors, set pieces, mise en scenes, etc. that it has become impossible to separate them.  Taken as a whole, the films represent Warhol’s … Continue reading

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